Today it was announced that Danica Patrick is going to NASCAR full time over from IndyCar. This means she will share the stage alongside Jimmie Johnson and Dale Earnhardt Jr. This is huge for women's sports. But is it huge for women's sports fans?
I honestly cannot say what will happen. Danica Patrick is a huge figure in sports, because she is one of the few women who actually compete in a sport that is still male dominated. The culture of the sport also seems to appeal to men. If you've ever noticed the sponsors, they usually are car companies such as Toyota and beer companies like Budweiser.
With Danica Patrick making this huge change, will NASCAR make a valiant effort to actually court women viewers? I would hope so. Marketing studies have shown that NASCAR's audience as a whole has changed from white male dominated to include men and some women of other ethnicities.
Hopefully ad sponsors and networks will use this opportunity to include women in their ad-space. But to me this applies to all sports, not just NASCAR.
For instance, when I watched the NBA playoffs this past spring, most of the ads were for the average, beer drinking single guy with the occasional Applebee's commercial thrown in. Doesn't anyone think that it's more than just men watching sports? What about those of us who don't have to shave their face yet? I'm just saying it would be nice sometimes for the ad world and the sports world in general would acknowledge that women don't just watch women's sports.
And hopefully with the addition of Danica Patrick to the big time that will mean more attention will be paid to the female fan. And by fan I don't mean the women who watch because they were promised a nice dinner afterwards. There are actually some of us who know what's going on. It would be nice if that was acknowledged from time to time, you know?
Thursday, August 25, 2011
Aaliyah: 10 Years Later
Today marks the tenth anniversary of the singer Aaliyah. As we all know, her influence and her music still live on. In this article, I'd like to focus on her legacy in music.
Musical Style
She worked on her first album with R. Kelly, Age Ain't Nothing But A Number at the age of fourteen and released the album a year later. Her debut single, "Back & Forth" became an instant hit. Her first album was a fusion of Jazz, R&B, and Hip-Hop. It was tempered by her silky vocals.
Her second album, One In A Million was her first outing with production duo Missy Elliott and Timbaland and generated what is now known as her signature style. It produced hits such as "4 Page Letter" and "If Your Girl Only Knew." She would continue to work with the duo until her death.
Her self-titled third album was also a success with singles including, "More than a Woman", "We Need A Resolution" and "Rock the Boat." It combined the silky stylings of her first album and the Hip-Hop edge of her second record.
Aaliyah's voice was naturally sensuous and her music reflected this as well. Her songs were usually romantic, fun, and introspective, but always unique. What I appreciated about her was that she was different without compromising herself.
Personal Style
Aaliyah probably was the most famous tomboy of the 1990s. Her baggy clothes, shades, and do-rags were all her. As she matured, her look did as well. She began to wear dresses and more fitted clothing that became a mark of her maturity as a woman and as an artist. She never did go into the clothing business, but if she had I'm sure it would have been a success.
Influence
Aaliyah has influenced music in many ways. She was one of the few younger artists who didn't feel the need to sing about what she didn't know. As a result, she always connected to her fans in her honesty; I believe she set the mark for fan interaction in her peer group and in the generation of artists that followed.
Aaliyah was never really compared to anyone because she set out to be herself. She wasn't a diva, she wasn't a sexpot. She was just a young woman exploring her life as only she knew how, through her music.
Aaliyah's influence to me is most reflected in the early career of Ciara. When Ciara came out, her tomboyish look and lithe vocals were instantly matched with those of Aaliyah. Ciara was very adamant about being her own artist, but wasn't shy about how Aaliyah influenced her.
Other artists have mentioned Aaliyah as a major force in guiding their careers. Her dancing, her vocals, and her personality to many are still unmatched. But she herself was "One In A Million."
Musical Style
She worked on her first album with R. Kelly, Age Ain't Nothing But A Number at the age of fourteen and released the album a year later. Her debut single, "Back & Forth" became an instant hit. Her first album was a fusion of Jazz, R&B, and Hip-Hop. It was tempered by her silky vocals.
Her second album, One In A Million was her first outing with production duo Missy Elliott and Timbaland and generated what is now known as her signature style. It produced hits such as "4 Page Letter" and "If Your Girl Only Knew." She would continue to work with the duo until her death.
Her self-titled third album was also a success with singles including, "More than a Woman", "We Need A Resolution" and "Rock the Boat." It combined the silky stylings of her first album and the Hip-Hop edge of her second record.Aaliyah's voice was naturally sensuous and her music reflected this as well. Her songs were usually romantic, fun, and introspective, but always unique. What I appreciated about her was that she was different without compromising herself.
Personal Style
Aaliyah probably was the most famous tomboy of the 1990s. Her baggy clothes, shades, and do-rags were all her. As she matured, her look did as well. She began to wear dresses and more fitted clothing that became a mark of her maturity as a woman and as an artist. She never did go into the clothing business, but if she had I'm sure it would have been a success.
Influence
Aaliyah has influenced music in many ways. She was one of the few younger artists who didn't feel the need to sing about what she didn't know. As a result, she always connected to her fans in her honesty; I believe she set the mark for fan interaction in her peer group and in the generation of artists that followed.
Aaliyah was never really compared to anyone because she set out to be herself. She wasn't a diva, she wasn't a sexpot. She was just a young woman exploring her life as only she knew how, through her music.
Aaliyah's influence to me is most reflected in the early career of Ciara. When Ciara came out, her tomboyish look and lithe vocals were instantly matched with those of Aaliyah. Ciara was very adamant about being her own artist, but wasn't shy about how Aaliyah influenced her.
Other artists have mentioned Aaliyah as a major force in guiding their careers. Her dancing, her vocals, and her personality to many are still unmatched. But she herself was "One In A Million."
Wednesday, August 24, 2011
5 Things About Murder, She Wrote
For some reason, I've recently reacquainted myself with Murder, She Wrote. It was a huge hit when I was a kid and my mom would hopelessly beg me to watch it, but I couldn't pull myself away from In Living Color with my dad. I mean Ugly Wanda, Men at the Movies, and my all-time favorite Homey the Clown were no match for J.B. Fletcher and friends. But now with the help of Hallmark Movie Channel, I've become delightfully enthralled with Angela Lansbury's Cabot Cove alter-ego. I know present 5 things you notice about Murder, She Wrote while watching.
1. Jessica Fletcher has Mad Relatives
By mad I mean both crazy and numerous. Every other episode seems to feature a niece, nephew, in-law, or cousin of some sort. They usually are in trouble by the time Jessica arrives to save the day and they also have no clue who framed them. In some episodes, Angela Lansbury plays her own English cousin which brings me to number two.
2. Cabot Cove Covers Cockney Roots
Now I've never met anyone from Maine, but I'm pretty sure they don't sound as precise or exacting with their language as Jessica Fletcher. In reality, I believe the producers said the character was from Maine to hide the fact that Angela Lansbury herself is from across the pond. I didn't find this out myself until I was older, but I always did wonder why she sounded so different from other TV sleuths like Matlock and Magnum, which leads me to number three.
3. Famous Faces Flock to the Cove
If you read the opening credits of any given episode, you'll probably see a name that you recognize. Angela Lansbury was very good about having her own old Hollywood friends make guest appearances throughout the series, but there were also a good number of rising stars on the show. The other day I saw Courtney Cox playing Jessica's niece among other key players. You'll never know who hangs out at the Cove until you tune in.
4. Angela Lansbury Wasn't First Choice
I saw Angela Lansbury's Biography and to my surprise the original choice for J.B. Fletcher was Jean Stapleton, of All in the Family. Stapleton turned down the part and the rest they say is history. Looking back, I think that was a good thing. Unfortunately, Jean Stapleton was associated with such an iconic ditz, it's hard to see her portraying someone very adept and intelligent.
5. We Never Know What "B" Stands For
I hate when shows do things like this and don't explain or let the secret out. It's almost like the 80's version of Guess Who? But I don't want to guess who, I want to know who or bet yet what B stands for in J.B. Fletcher. Is it Brown? Bellamy? What about Bieber? I guess now it doesn't matter because now it's the stuff of pop culture legend.
1. Jessica Fletcher has Mad RelativesBy mad I mean both crazy and numerous. Every other episode seems to feature a niece, nephew, in-law, or cousin of some sort. They usually are in trouble by the time Jessica arrives to save the day and they also have no clue who framed them. In some episodes, Angela Lansbury plays her own English cousin which brings me to number two.
2. Cabot Cove Covers Cockney Roots
Now I've never met anyone from Maine, but I'm pretty sure they don't sound as precise or exacting with their language as Jessica Fletcher. In reality, I believe the producers said the character was from Maine to hide the fact that Angela Lansbury herself is from across the pond. I didn't find this out myself until I was older, but I always did wonder why she sounded so different from other TV sleuths like Matlock and Magnum, which leads me to number three.
3. Famous Faces Flock to the Cove
If you read the opening credits of any given episode, you'll probably see a name that you recognize. Angela Lansbury was very good about having her own old Hollywood friends make guest appearances throughout the series, but there were also a good number of rising stars on the show. The other day I saw Courtney Cox playing Jessica's niece among other key players. You'll never know who hangs out at the Cove until you tune in.
4. Angela Lansbury Wasn't First Choice
I saw Angela Lansbury's Biography and to my surprise the original choice for J.B. Fletcher was Jean Stapleton, of All in the Family. Stapleton turned down the part and the rest they say is history. Looking back, I think that was a good thing. Unfortunately, Jean Stapleton was associated with such an iconic ditz, it's hard to see her portraying someone very adept and intelligent.
5. We Never Know What "B" Stands For
I hate when shows do things like this and don't explain or let the secret out. It's almost like the 80's version of Guess Who? But I don't want to guess who, I want to know who or bet yet what B stands for in J.B. Fletcher. Is it Brown? Bellamy? What about Bieber? I guess now it doesn't matter because now it's the stuff of pop culture legend.
No Host With the Most
If you're interested in this week's MTV Video Music Awards, there's great news: NO HOST! I repeat! There's no superstar comedian, actor, random person from across the pond, grandma's uncle hosting! Finally, MTV got it! We don't always want a host! We just want a half way decent show.
Coming from MTV that's easier said than done. I haven't thoroughly enjoyed a VMA show since about 2001. I'm serious. In the years since, I've been very touch and go about the ceremony but having no host certainly helps.
Last year, I saw Chelsea Handler get no love for some pretty bad jokes. And I'm not saying that out of spite. I've read some of her books and seen parts of Chelsea Lately. I know she's funny. But performing to a live group of celebrities is a whole different animal. If you've ever seen footage of Ricky Gervais at the Emmys or David Letterman at the Oscars, one wrong insult pretty much blacklists you from hosting a major event ever again.
But on the other hand, different awards shows require different types of comedy. If you're hosting the Teen Choice Awards you have to be hip to what the kids are into; if you're hosting the Guys' Choice Awards you'll probably need to know what Maxim Magazine is.
The MTV Video Music Awards, however, have long had this history of either elevating the status of the host or desecrating their career. Take for instance Russell Brand, who most of us never knew before his first VMA gig in 2008. Well flash forward three years, he married one of the performers (Katy Perry), has a solid movie career, and is well regarded in other countries besides his homeland of the UK.
On the other hand, there's the Wayans Brothers (Marlon and Shawn) who hosted in 2000 in the prime of their Scary Movie success. They made a decent amount of headway, but since then have been relegated to making horrible, stereotype-laden movies that aren't really funny or different.
Having no host means no camera pans to stunned celebrities, no awkward pauses for lack of a laugh, and no ridiculous monologue that we have to strain through until the actual performance. Now let's hope for a halfway decent show.
No VMA Host
Coming from MTV that's easier said than done. I haven't thoroughly enjoyed a VMA show since about 2001. I'm serious. In the years since, I've been very touch and go about the ceremony but having no host certainly helps.
Last year, I saw Chelsea Handler get no love for some pretty bad jokes. And I'm not saying that out of spite. I've read some of her books and seen parts of Chelsea Lately. I know she's funny. But performing to a live group of celebrities is a whole different animal. If you've ever seen footage of Ricky Gervais at the Emmys or David Letterman at the Oscars, one wrong insult pretty much blacklists you from hosting a major event ever again.
But on the other hand, different awards shows require different types of comedy. If you're hosting the Teen Choice Awards you have to be hip to what the kids are into; if you're hosting the Guys' Choice Awards you'll probably need to know what Maxim Magazine is.
The MTV Video Music Awards, however, have long had this history of either elevating the status of the host or desecrating their career. Take for instance Russell Brand, who most of us never knew before his first VMA gig in 2008. Well flash forward three years, he married one of the performers (Katy Perry), has a solid movie career, and is well regarded in other countries besides his homeland of the UK.
On the other hand, there's the Wayans Brothers (Marlon and Shawn) who hosted in 2000 in the prime of their Scary Movie success. They made a decent amount of headway, but since then have been relegated to making horrible, stereotype-laden movies that aren't really funny or different.
Having no host means no camera pans to stunned celebrities, no awkward pauses for lack of a laugh, and no ridiculous monologue that we have to strain through until the actual performance. Now let's hope for a halfway decent show.
No VMA Host
Tuesday, August 23, 2011
Don't Make Me Over
Now by popular demand (ok it was one, but a really persistent one), I will address the elephant in the Hollywood Summer Movie Room, remakes, sequels, prequels, etc. and how we the people are tired of them. The proof is in the pudding. The number one movie of this past weekend was The Help, a second week feature based on a novel. It topped Fright Night and Conan the Barbarian.
Now, there is the argument that some remakes and sequels have done well, for instance Rise of the Planet of the Apes and Transformers 3, but I think this was a residual of not having many quality choices. Unfortunately several original movies also proved to be underwhelming as noted by Crazy, Stupid, Love and Friends With Benefits. But while these movies didn't succeed commercially, critically they were noted as original and different.
And now with the latest coup of The Help, hopefully this will be in line with demanding fare that satisfies us without recycling or regurgitating older material.
This fall looks to be promising with releases that look to be new and provocative. Political thrillers, sci-fi thrillers, gritty dramas are all a part of the upcoming autumn movie scene and I look forward to having something new and exciting to watch.
http://boxofficemojo.com/weekend/
http://insidemovies.ew.com/2011/08/21/owens-summer-movie-roundup/
Now, there is the argument that some remakes and sequels have done well, for instance Rise of the Planet of the Apes and Transformers 3, but I think this was a residual of not having many quality choices. Unfortunately several original movies also proved to be underwhelming as noted by Crazy, Stupid, Love and Friends With Benefits. But while these movies didn't succeed commercially, critically they were noted as original and different.
And now with the latest coup of The Help, hopefully this will be in line with demanding fare that satisfies us without recycling or regurgitating older material.
This fall looks to be promising with releases that look to be new and provocative. Political thrillers, sci-fi thrillers, gritty dramas are all a part of the upcoming autumn movie scene and I look forward to having something new and exciting to watch.
http://boxofficemojo.com/weekend/
http://insidemovies.ew.com/2011/08/21/owens-summer-movie-roundup/
Solid: In Memory of Nick Ashford
Today, there was a sad announcement. Legendary Motown songwriter and half of R&B duo Ashford & Simpson, Nick Ashford passed away Monday night. Nick Ashford was an acclaimed artist and writer, whose work was among some of the best of the 21st century. In memory of his great contribution to pop music, I present three songs that you should stop and listen to.
Ain't No Mountain High Enough-Marvin Gaye & Tammi Terrell, Diana Ross
This song has been used in movies, television shows, commercials and the like but it all started with the beautiful harmonies of Marvin Gaye & Tammi Terrell whose sweetly tinged vocals made the song an instant classic in the mid 1960s. Nick Ashford and Valerie Simpson later retooled the song for newly minted solo artist, Diana Ross in the early 1970s and it took on a whole new life.
"I'm Every Woman" Chaka Khan, Whitney Houston
This was the song that sent Chaka Khan into the stratosphere as a solo artist after she left Rufus in the late 1970s. With its disco beat and infectious groove, the title and the song has remained in the pop culture lexicon since. It was covered by Whitney Houston in the early 1990s and became a hit again.
"You're All I Need to Get By" Marvin Gaye & Tammi Terrell
Another Marvin & Tammi classic that has been sang at weddings for decades since. It's simple lyrics and building rhythm is amazingly profound. There are few love songs that express the same power in three minutes.
http://www.nytimes.com/2011/08/23/arts/music/nick-ashford-of-motown-writing-duo-dies-at-70.html?_r=1&src=ISMR_HP_LO_MST_FB
Ain't No Mountain High Enough-Marvin Gaye & Tammi Terrell, Diana Ross
This song has been used in movies, television shows, commercials and the like but it all started with the beautiful harmonies of Marvin Gaye & Tammi Terrell whose sweetly tinged vocals made the song an instant classic in the mid 1960s. Nick Ashford and Valerie Simpson later retooled the song for newly minted solo artist, Diana Ross in the early 1970s and it took on a whole new life.
"I'm Every Woman" Chaka Khan, Whitney Houston
This was the song that sent Chaka Khan into the stratosphere as a solo artist after she left Rufus in the late 1970s. With its disco beat and infectious groove, the title and the song has remained in the pop culture lexicon since. It was covered by Whitney Houston in the early 1990s and became a hit again.
"You're All I Need to Get By" Marvin Gaye & Tammi Terrell
Another Marvin & Tammi classic that has been sang at weddings for decades since. It's simple lyrics and building rhythm is amazingly profound. There are few love songs that express the same power in three minutes.
http://www.nytimes.com/2011/08/23/arts/music/nick-ashford-of-motown-writing-duo-dies-at-70.html?_r=1&src=ISMR_HP_LO_MST_FB
Monday, August 22, 2011
All Dolled Up
I just heard one of the strangest stories today. Country super couple Faith Hill and Tim McGraw are becoming limited edition dolls designed by Barbie and Mattel in celebration of their 15th wedding anniversary. Now stars becoming dolls is nothing new. Remember the Beverly Hills, 90210 dolls? Or what about the the NKOTB dolls? And ironically enough I own 2 *NSYNC marionettes. To answer your question yes they're marionettes because they come with strings and no, you won't know which two members they are. I digress. But I think this is the first time anyone in country music has had such a distinguished...uh honor?
Faith Hill and Tim McGraw to me are the country equivalent of Jay-Z and Beyonce'. They have an obvious chemistry, collaborate on great music, and are private about their lives. But dolls? That's not private, that's strange! Or is it?
Maybe this is their way of taking country music into the future. For so long, country has been fourth banana in the music industry to hip-hop, pop, and rock music. But granted with the success of "The Voice" featuring the hilariously talented Blake Shelton and Taylor Swift's takeover of all things romantic on the charts maybe this is a step in the right direction.
It's proof once and for all that all icons aren't the same. That they are unique. I mean, Tim McGraw and his cowboy hat is almost like Usher and those shades, they never separate except when necessary and that's usually almost never.
But if this is one of those things people are going to use to further their image then maybe we should slow this train down. And whatever Barbie does, please no Kim Kardashian doll under any circumstance!
http://popwatch.ew.com/2011/08/22/barbie-faith-hill-tim-mcgraw/
Faith Hill and Tim McGraw to me are the country equivalent of Jay-Z and Beyonce'. They have an obvious chemistry, collaborate on great music, and are private about their lives. But dolls? That's not private, that's strange! Or is it?
Maybe this is their way of taking country music into the future. For so long, country has been fourth banana in the music industry to hip-hop, pop, and rock music. But granted with the success of "The Voice" featuring the hilariously talented Blake Shelton and Taylor Swift's takeover of all things romantic on the charts maybe this is a step in the right direction.
It's proof once and for all that all icons aren't the same. That they are unique. I mean, Tim McGraw and his cowboy hat is almost like Usher and those shades, they never separate except when necessary and that's usually almost never.
But if this is one of those things people are going to use to further their image then maybe we should slow this train down. And whatever Barbie does, please no Kim Kardashian doll under any circumstance!
http://popwatch.ew.com/2011/08/22/barbie-faith-hill-tim-mcgraw/
Murph's Picks #5
In this week's Murph's Picks I've decidedly selected something sports related as I have slacked in including sports stories on my site. I'm trying to do better. If you have ideas about possible sports stories, that'd be great. Just leave them in comments. Or better yet, give me a comment people! I need to hear from you no matter what you have to say.
Okay, so this week's pick is actually one of the many brilliant ESPN films, "The Fab Five." If you don't know who the fab five are, then watch this documentary. It's riveting, insightful and entertaining. It pertains to the Men's Basketball Team at Michigan in the early 1990s and the dominance of the freshman players on the team.
I won't reveal all about the story, but it involves race, class, money, fame, and the NCAA. All the makings for a brilliant movie, but even better when those who lived it are narrating the action. If you don't know anything about sports or sports history, this is great for you. It's not intimidating, doesn't focus on the play by play and isn't overtly technical like some sports programming is.
I suggest when you get a free moment, this is great to watch or Tivo or DVR or whatever it is folks do nowadays.
Okay, so this week's pick is actually one of the many brilliant ESPN films, "The Fab Five." If you don't know who the fab five are, then watch this documentary. It's riveting, insightful and entertaining. It pertains to the Men's Basketball Team at Michigan in the early 1990s and the dominance of the freshman players on the team.
I won't reveal all about the story, but it involves race, class, money, fame, and the NCAA. All the makings for a brilliant movie, but even better when those who lived it are narrating the action. If you don't know anything about sports or sports history, this is great for you. It's not intimidating, doesn't focus on the play by play and isn't overtly technical like some sports programming is.
I suggest when you get a free moment, this is great to watch or Tivo or DVR or whatever it is folks do nowadays.
Sunday, August 21, 2011
The Ex-Files: A Breakdown of Musical Breakup Songs
The other day I was driving and heard one of the most hauntingly beautiful songs from Adele that is also her latest single, "Someone Like You." I've heard her say that it was personally based on her ex-boyfriend, who she had hoped to marry. Now given that music has always dealt with heartache, I thought it would be interesting to do a summary on some of music's most memorable break-up songs and the artists behind them.
Adele, "Rolling in the Deep" and "Someone Like You"
This is arguably the year of Adele. Her album and singles have done tremendously well. She was covered on Glee and she stands to give one of the best performances at next week's MTV Video Music Awards. Her soulful, rich voice is what gives her both power and promise as one of music's true and lasting talents.
"Rolling in the Deep" is a classic kiss-off record. She proclaims that it was the guy's fault and that it was his mistakes that solidified the relationship's demise. The way she sings, you have no choice but to side with her. On the flip side, "Someone Like You" is a touching memorial. She laments the love lost, but is optimistic in finding a love like she had once before with an ex. No matter what kind of breakup you've been through, there's something in her delivery and her passion that remains with you. If she continues to make records like this, there's no question she'll be here to stay.
Beyonce', "Irreplaceable", "Single Ladies (Put A Ring On It)", "Best Thing I Never Had"
Beyonce' is amazingly one of pop's premier divas. And while she's always made chart-toppers; their respective outcomes have been mixed. Her latest album, 4, is steady on the charts and the latest single, "Best Thing I Never Had" is slowly catching on. While this latest single isn't steaming up the charts, it's proving that she wants to make build a catalog of diverse tunes that showcase her voice as much as her flare for the dramatic. "Single Ladies (Put A Ring On It)" is arguably one the biggest hits of her entire career. Danceable and devious, it lingers as much as it is fun but along the way you forget it's a breakup ditty. "Irreplaceable" is her biggest breakup song, staying on the charts for a good chunk of 2006. And while everyone remembers the line, "to the left" it sounds to impersonal to really connect to it. No one, no matter how much wrong someone's done to you, they shouldn't be made to feel like a couch. But then again, what do I know about hits?
Lauryn Hill, "Ex-Factor"
Lauryn Hill is someone who people will always remember for being bright enough and bold enough to take over the world, yet too weighed down to succeed at it. Her gigantic solo debut The Miseducation of Lauryn Hill, is all parts fun and thoughtful, frivolous and soulful. One of the best songs on the album, it flourished as a single. It's rumored that song is actually about the torrid affair she had with former bandmate Wyclef Jean, the way she sings it reminiscent of the old guard of Ella Fitzgerald and Sara Vaughn. You automatically side with her and for that the song is a modern classic, only improved upon by the music video.
Al Green, "How Can You Mend a Broken Heart", "For the Good Times"
Soul music wouldn't be the same without Al Green. Anytime you hear his music it takes you to a place that only few can take you. Lazy summers, collard greens, and flowing rivers are all images that come to mind when his voice hits your ear. His breakup songs are all the more wrenching for that because you know it comes from a deep, passionate place. "How Can You Mend a Broken Heart" is a well done cover of the Bee Gees early hit, but only slower so it sounds like you actually hear him cry at the end of the song. "For the Good Times" is another cover from crossover star, Kris Kristofferson and once again it takes you so far that it feels like you've moved hundreds of miles and a matter of minutes. If you really want to cry to a record, Al Green definitely is your man.
Christina Aguilera, "Fighter", "Hurt"
For someone with the voice of a large, troubled woman, Christina Aguilera hasn't much ventured into breakup territory. When she does, it's great. My only problem is, I'm not sure if she's talking about her long-estranged father or an ex. Her voice can cut through glass but the lyrics of "Fighter" to me seem to be about a friend or family member who cheated her rather than an ex boyfriend. The same can be said for "Hurt" which is beautiful, but is missing that one thing that separates it from being a great song rather than a good song. Or maybe I'm just too picky about breakup songs.
Carly Simon, "You're So Vain"
This is arguably the grandfather of breakup songs in pop. Carly Simon was so bitter, she never revealed who the song was about. But if any of her exes have heard this song at least once (which I'm sure of), they probably made sure to never cross her again. I mean this song is catchy, mysterious, and spiteful without completely going for the jugular. But I think for sure that this song is the blueprint for which breakup songs have been created since.
No Doubt, "Don't Speak," "Ex-Girlfriend"
No Doubt set the tone for 1990s groups. They were equal parts style and substance. But what they really get credit for is having two exes, Gwen Stefani and Tony Kanal not only work together but perform gut wrenching songs about their former romantic relationship. "Don't Speak" is what every angry teenage girl and twenty-something woman sang when their exes spurned them. To this day, it speaks volumes in the simplicity of the lyrics, not only lamenting the romance but the built-in friendship that came along with it. However, "Ex-Girlfriend" is arguably mad enough to send any guy running if he hears a girl playing it. It's funny and snarky all at once. And if the video's any indication Kanal and Stefani have managed to make great light of the love they once shared.
Justin Timberlake, "Cry Me A River," "What Goes Around...Comes Around"
There are several reasons I believe Justin Timberlake should make an album and an epic breakup song happens to be near the top of my list. Whether or not the songs are about any of his real-life exes is inconsequential, it's the dramatic disdain he manages to build into each one of the songs that make it a pleasure to listen to. "Cry Me A River" is not the jazz song you're grandmother probably had a 45 of, it's the song your cousin probably blasts in his or her dorm room around 2am. We all know who the song was about, but the video was the VMA-winning kiss-off that sent his career into the stratosphere as a solo artist. "What Goes Around...Comes Around" is "Cry Me A River's" angry little sister. She obviously wants more attention and gets it. While it was argued that it was based on the same subject as it's older brother, Timberlake has denied it. He said it was about a friend who was madly in love and ready to settle down when his friend's girlfriend ditched him for another friend. The friend is rumored to be JT's childhood best friend, Trace Ayala, the girl Elisha Cuthbert of 24 fame, and the other friend is hockey bad boy, Sean Avery. And looking at the video accompanying the song, it's interesting to note how similar-looking Elisha Cuthbert is to Scarlett Johansson. While we may never know the truth, it's highly arguable that Justin Timberlake has managed to turn heartbreak into pop mythology.
Are there any artists who I've should have focused on? Songs you like about heartbreak? Please let me know in comments.
Adele, "Rolling in the Deep" and "Someone Like You"
This is arguably the year of Adele. Her album and singles have done tremendously well. She was covered on Glee and she stands to give one of the best performances at next week's MTV Video Music Awards. Her soulful, rich voice is what gives her both power and promise as one of music's true and lasting talents.
"Rolling in the Deep" is a classic kiss-off record. She proclaims that it was the guy's fault and that it was his mistakes that solidified the relationship's demise. The way she sings, you have no choice but to side with her. On the flip side, "Someone Like You" is a touching memorial. She laments the love lost, but is optimistic in finding a love like she had once before with an ex. No matter what kind of breakup you've been through, there's something in her delivery and her passion that remains with you. If she continues to make records like this, there's no question she'll be here to stay.
Beyonce', "Irreplaceable", "Single Ladies (Put A Ring On It)", "Best Thing I Never Had"
Beyonce' is amazingly one of pop's premier divas. And while she's always made chart-toppers; their respective outcomes have been mixed. Her latest album, 4, is steady on the charts and the latest single, "Best Thing I Never Had" is slowly catching on. While this latest single isn't steaming up the charts, it's proving that she wants to make build a catalog of diverse tunes that showcase her voice as much as her flare for the dramatic. "Single Ladies (Put A Ring On It)" is arguably one the biggest hits of her entire career. Danceable and devious, it lingers as much as it is fun but along the way you forget it's a breakup ditty. "Irreplaceable" is her biggest breakup song, staying on the charts for a good chunk of 2006. And while everyone remembers the line, "to the left" it sounds to impersonal to really connect to it. No one, no matter how much wrong someone's done to you, they shouldn't be made to feel like a couch. But then again, what do I know about hits?
Lauryn Hill, "Ex-Factor"
Lauryn Hill is someone who people will always remember for being bright enough and bold enough to take over the world, yet too weighed down to succeed at it. Her gigantic solo debut The Miseducation of Lauryn Hill, is all parts fun and thoughtful, frivolous and soulful. One of the best songs on the album, it flourished as a single. It's rumored that song is actually about the torrid affair she had with former bandmate Wyclef Jean, the way she sings it reminiscent of the old guard of Ella Fitzgerald and Sara Vaughn. You automatically side with her and for that the song is a modern classic, only improved upon by the music video.
Al Green, "How Can You Mend a Broken Heart", "For the Good Times"
Soul music wouldn't be the same without Al Green. Anytime you hear his music it takes you to a place that only few can take you. Lazy summers, collard greens, and flowing rivers are all images that come to mind when his voice hits your ear. His breakup songs are all the more wrenching for that because you know it comes from a deep, passionate place. "How Can You Mend a Broken Heart" is a well done cover of the Bee Gees early hit, but only slower so it sounds like you actually hear him cry at the end of the song. "For the Good Times" is another cover from crossover star, Kris Kristofferson and once again it takes you so far that it feels like you've moved hundreds of miles and a matter of minutes. If you really want to cry to a record, Al Green definitely is your man.
Christina Aguilera, "Fighter", "Hurt"
For someone with the voice of a large, troubled woman, Christina Aguilera hasn't much ventured into breakup territory. When she does, it's great. My only problem is, I'm not sure if she's talking about her long-estranged father or an ex. Her voice can cut through glass but the lyrics of "Fighter" to me seem to be about a friend or family member who cheated her rather than an ex boyfriend. The same can be said for "Hurt" which is beautiful, but is missing that one thing that separates it from being a great song rather than a good song. Or maybe I'm just too picky about breakup songs.
Carly Simon, "You're So Vain"
This is arguably the grandfather of breakup songs in pop. Carly Simon was so bitter, she never revealed who the song was about. But if any of her exes have heard this song at least once (which I'm sure of), they probably made sure to never cross her again. I mean this song is catchy, mysterious, and spiteful without completely going for the jugular. But I think for sure that this song is the blueprint for which breakup songs have been created since.
No Doubt, "Don't Speak," "Ex-Girlfriend"
No Doubt set the tone for 1990s groups. They were equal parts style and substance. But what they really get credit for is having two exes, Gwen Stefani and Tony Kanal not only work together but perform gut wrenching songs about their former romantic relationship. "Don't Speak" is what every angry teenage girl and twenty-something woman sang when their exes spurned them. To this day, it speaks volumes in the simplicity of the lyrics, not only lamenting the romance but the built-in friendship that came along with it. However, "Ex-Girlfriend" is arguably mad enough to send any guy running if he hears a girl playing it. It's funny and snarky all at once. And if the video's any indication Kanal and Stefani have managed to make great light of the love they once shared.
Justin Timberlake, "Cry Me A River," "What Goes Around...Comes Around"
There are several reasons I believe Justin Timberlake should make an album and an epic breakup song happens to be near the top of my list. Whether or not the songs are about any of his real-life exes is inconsequential, it's the dramatic disdain he manages to build into each one of the songs that make it a pleasure to listen to. "Cry Me A River" is not the jazz song you're grandmother probably had a 45 of, it's the song your cousin probably blasts in his or her dorm room around 2am. We all know who the song was about, but the video was the VMA-winning kiss-off that sent his career into the stratosphere as a solo artist. "What Goes Around...Comes Around" is "Cry Me A River's" angry little sister. She obviously wants more attention and gets it. While it was argued that it was based on the same subject as it's older brother, Timberlake has denied it. He said it was about a friend who was madly in love and ready to settle down when his friend's girlfriend ditched him for another friend. The friend is rumored to be JT's childhood best friend, Trace Ayala, the girl Elisha Cuthbert of 24 fame, and the other friend is hockey bad boy, Sean Avery. And looking at the video accompanying the song, it's interesting to note how similar-looking Elisha Cuthbert is to Scarlett Johansson. While we may never know the truth, it's highly arguable that Justin Timberlake has managed to turn heartbreak into pop mythology.
Are there any artists who I've should have focused on? Songs you like about heartbreak? Please let me know in comments.
TV Themes: Where have they gone?
I grew up in an age where there were awesome television theme songs existed. This wasn't that long ago; it was only the 1990s. But for some reason with the new millennium, the number of television shows with opening songs has disintegrated dramatically. Now, I know some of you say, you can't relive the past. This is true, but I like to be properly introduced to the characters with some kind of cool video montage with music isn't that much to ask is it. Below, I'll share some of my all-time favorites
Psych, "I Know You Know"
I write about Psych alot because it's one of my personal favorites on television today. Not only that it has a way of being modern, but it pays homage to some of the television greats. I think that's best summed up in the theme song. Not only that, but for special episodes they have artists such as Boyz II Men and Tears for Fears' Curt Smith sing it in their respective musical styling.
All That, "This Is All That"
You're talking about a classic song by a classic group. TLC, one of the all time great girl-groups gave a totally awesome theme song. Not only that, but the way the kids jump up and down is awesome. It also helps you remember that Nick Cannon and Kenan Thompson, among others were just as talented as kids as they are now.
Inspector Gadget, "Inspector Gadget Theme"
If you don't know the theme for Inspector Gadget, then you obviously don't know one of the best instrumental themes in all of television history. Not only was the Inspector Gadget Theme the best way to sum up one of television's most bumbling private eyes, but it served as a wonderful sample for the early hip-hop classic "The Show" by Doug E. Fresh and The Get Fresh Crew.
The Wonder Years, "With A Little Help From My Friends"
Very few shows get away with credibly incorporating real songs into themes, but The Wonder Years has always been one of the best shows for breaking rules. Soulfully sang by Joe Cocker, it's also one of the best covers of a Beatles' song ever (sorry, Ringo). I personally enjoy how it pretty much sums up main protagonist Kevin Arnold's life. He would've went nowhere without his two best friends and the show may not have been the same without this song.
Now obviously these have a nostalgic theme ringing through, but I do have others that I enjoy such as the Matlock theme and I Dream of Jeannie, but these are the ones that have a lasting impact, as well as get stuck in my head. Here's to hoping there are more shows who find ways to do that in the future.
Psych, "I Know You Know"
I write about Psych alot because it's one of my personal favorites on television today. Not only that it has a way of being modern, but it pays homage to some of the television greats. I think that's best summed up in the theme song. Not only that, but for special episodes they have artists such as Boyz II Men and Tears for Fears' Curt Smith sing it in their respective musical styling.
All That, "This Is All That"
You're talking about a classic song by a classic group. TLC, one of the all time great girl-groups gave a totally awesome theme song. Not only that, but the way the kids jump up and down is awesome. It also helps you remember that Nick Cannon and Kenan Thompson, among others were just as talented as kids as they are now.
Inspector Gadget, "Inspector Gadget Theme"
If you don't know the theme for Inspector Gadget, then you obviously don't know one of the best instrumental themes in all of television history. Not only was the Inspector Gadget Theme the best way to sum up one of television's most bumbling private eyes, but it served as a wonderful sample for the early hip-hop classic "The Show" by Doug E. Fresh and The Get Fresh Crew.
The Wonder Years, "With A Little Help From My Friends"
Very few shows get away with credibly incorporating real songs into themes, but The Wonder Years has always been one of the best shows for breaking rules. Soulfully sang by Joe Cocker, it's also one of the best covers of a Beatles' song ever (sorry, Ringo). I personally enjoy how it pretty much sums up main protagonist Kevin Arnold's life. He would've went nowhere without his two best friends and the show may not have been the same without this song.
Now obviously these have a nostalgic theme ringing through, but I do have others that I enjoy such as the Matlock theme and I Dream of Jeannie, but these are the ones that have a lasting impact, as well as get stuck in my head. Here's to hoping there are more shows who find ways to do that in the future.
Subscribe to:
Posts (Atom)